The ability to track and exchange compositional metadata is key to maximizing visibility, integrating with both Avid and third-party solutions, and dealing with many different sources, from tape to direct XDCAM ingest. Even if someone does things a little differently, seeing the way they've organized it in Interplay gives us a much better opportunity to build upon what they've done." "It's really allowed us to organize the media we have," remarks Lindsay Vasser, Video Editor, "and become much more efficient and creative. And more media access means more choices. Folder controls and the ability to narrow searches more adroitly has provided unparalleled media access. The "contribution factor," as Guest terms it, has significantly advanced the channel's ability to control the way in which their media is produced. "Allowing us to get all the various people together, and let them see and talk with each other about the same material has made our on-air product a lot better," comments Guest. Instead of seeing their work as a separate unit, contributors have become more integral to the projects they are working on. Providing the producer, editor, and managers of the various departments with immediate visibility into the production process has been the key to helping everyone realign how they were interacting. There was nothing else out there that does what Avid does." Dustin Guest, Digital Asset Manager, Golf Channel Nothing Else Does What Avid DoesĪccording to Dustin Guest, Digital Asset Manager, "this workflow simply did not exist with all the other products we saw.
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